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The Gothique presents a talkie remake by Tod Browning of his lost silent classic London after Midnight, and a 1964 version of Richard Matheson's scifi classic novel, I Am Legend.

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Kenneth Williams was one of the most unique and beloved figures in British comedy, perhaps best remembered for his peculiar voice and outrageous camp humour. But behind the public persona lay an intensely complicated man, unfulfilled by his career achievements, conflicted about his sexuality, and tormented by his health.

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A hot-tempered LA private eye chases a glowing briefcase, in a ferocious noir whose apocalyptic climax foreshadows Lynch’s visions of a cursed, conspiratorial city.

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Two stories of revenge. Lionel Barrymore uses tiny humans to wreak vengeance on the three men who framed him, while a modern developer is haunted by the ghost of a young woman who was buried alive by his descendants three centuries previously.

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This is the history of Arthur Lee’s 1960s Los Angeles rock band Love. It’s a great portrait of the band, the time and place that spawned them.

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Released just weeks before the production code took hold, Murder at the Vanities is a stylish blend of backstage musical and murder mystery set on the glamorous opening night of the Earl Carroll Vanities.

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The Return of Doctor X includes Humphrey Bogart in his only horror film, and Planet of the Vampires is an early work from acclaimed horror maestro Mario Bava.

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