The Cinema Museum, London

Past Events Archive

The Vito Project LGBTQ+ Film Club presents Gentlemen Prefer Blondes (1953)

Sun 18 Sep 2022 @ 18:00 · Events

A new Vito Project LGBTQ+ Film Club season kicks off with Howard Hawks's masterpiece of musical comedy, Gentlemen Prefer Blondes.

BBC Centenary LGBTQ+ screenings: Everyman: Blasphemy at the Old Bailey (1977) + Q&A

Sat 17 Sep 2022 @ 19:30 · Events

This screening of Blasphemy at the Old Bailey (1977) and rare BBC news footage is accompanied by a discussion by some of those involved in defending Gay News and supporting gay and lesbian Christians against Mary Whitehouse’s moral crusade.

Women and Cocaine presents Jean Harlow: Dinner at Eight (1933)

Fri 16 Sep 2022 @ 19:30 · Events

Join Women & Cocaine as we take a closer look at the short but sweet life of 'Baby' Jean Harlow with a screening of her most successful film, Dinner at Eight.

Kennington Noir presents The Man Who Wasn’t There (2001) on 35mm film

Wed 14 Sep 2022 @ 19:30 · Events

Kennington Noir returns with the Coen Brothers noir, set in 1949, a tale of suspected adultery, blackmail, foul play and death.

BBC Centenary LGBTQ+ screenings: Two of Us (1987) + Q&A

Sat 10 Sep 2022 @ 19:30 · Events

This screening brings together the creators of the groundbreaking BBC drama Two of Us (1988) to discuss why a film about love between two teenage boys led to a Thatcherite backlash against the ‘promotion of homosexuality’ by local authorities.

Kennington Bioscope presents The Sea Hawk (1924)

Wed 7 Sep 2022 @ 19:30 · Events

The latest Kennington Bioscope season gets off to a swashbuckling start with a screening of Frank Lloyd's 1924 epic The Sea Hawk.

The Live Ghost Tent – Quarterly meeting of The Laurel and Hardy Society – 3rd September 2022

Sat 3 Sep 2022 @ 15:00 · Events

The Live Ghost Tent – quarterly meeting of The Laurel and Hardy Society.

Screenplay By presents The Bridge on the River Kwai (1957)

Thu 1 Sep 2022 @ 19:00 · Events

David Lean’s classic epic landed him his first Best Director Oscar, and it also gave Carl Foreman his only Oscar for Best Adapted Screenplay.