A rare chance to see George A. Romero’s classic zombie movie from an original 1968 35mm release print.
Entries from September 7th, 2024
Screening of Night of the Living Dead (1968) on 35mm film
September 2024 · Events
The Gothique Film Society presents Freaks (1932) and The Mask Of Fu Manchu (1932)
September 2024 · Events
We are delighted to be presenting two genuine classics from the Golden Age of Pre-Code Horror!
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The Gothique Film Society presents The Ghost Ship (1943) and Death Line (1972)
September 2024 · Events
The Gothique Film Society presents two films showing the dangers of sea and underground travel!
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The Gothique Film Society presents White Zombie (1932) and An Angel For Satan (1966)
September 2024 · Events
A double bill with two stellar names of the horror genre – Bela Lugosi in his follow-up to Dracula, and Barbara Steele with her final role in an Italian Gothic.
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We are delighted that acclaimed author, critic and broadcaster Kim Newman, who ‘cut his teeth’ at the Gothique Film Society, will be joining us to introduce a ‘first’ for the society: an evening of Bollywood Horror!
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The Gothique Film Society presents Malpertuis (1973) and The Tell-Tale Heart (1941)
September 2024 · Events
We are delighted to be joined by acclaimed actress Susan Hampshire for this screening of Malpertuis, the rarely-seen follow-up, by Belgian director Harry Kumel, to the artistic and commercial success of his iconic vampire tale Daughters of Darkness.
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The Gothique Film Society presents The Terror Strikes (1958) and Night of the Bloody Apes (1972)
September 2024 · Events
For our opening show we are delighted to present two films on 35mm, courtesy of the Cinema Museum’s extensive collection. It’s lovely to wheel out the ‘old technology’ from time to time!
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Screening of Being in a Place: A Portrait of Margaret Tait (2023) + Q&A with Peter Todd and Sarah Neely
August 2024 · Events
Drawing on a wealth of unseen archival material, including sound recordings, film rushes, offcuts and unpublished notebooks, Luke Fowler’s new feature film focuses on Margaret Tait, one of Scotland’s most enigmatic filmmakers.
